تقنية التشكيل البصري في الشعر العربي المعاصر في العراق

Abstract EN

Recently, the addressee cares for the space occupied and shaped by the text on the blank paper, and this is one of the manifestations of the stage as a result of the interference of alliterationand the impact of the image, film and the artisticdesigns.

Researchesstarted to classify those texts according to many names and classifications, and we are not in the process of diagnosing the position of those studies of this phenomenon positively or negatively.

The study here pays attention to the semantic and descriptive feature of the contemporary Arabic poetry in Iraq and its position in the movement of formal experimentation in writing in attemptto use it in serving the artistic expression of the texts and its intellectual meaning.

Its not only for experimentation, but in one way or another it should be fine technique being a gate where the text comes from to what it aspires for like the place in the minds of readers.

So, the research is divided into two sections, section one deals with visual formation by the look of the naked eye, so I presented the poetry on the white paper and configuration layout then modulated photograph and the picture accompanying the poetic texts.

Section two devoted to the visual form in I vision about imagination and in this chapter the researcher compared some texts that used snapshot physiognomic scenario and montage