روايات تتحدث عن ذاتها دراسة في ثلاث روايات عراقية

Abstract EN

Deliberately old Symbolists such as (Andrei Ged) for the need to search for the form to be the antithesis of the novel, as logicis crashing imposed by the narrator on the article feature, which called to invent new forms in the novels of postmodernism may be in the forefront of it the technology beyond the novel (Meta fiction), and metaphysician stories are kind of narrative writing that test featuresystems and ways to create them are employed methods to form a virtual reality, as well as not being a literary genre as it is the tendency is generated from within the novel, which is like seeing in the mirror is reflecting the imaginary construction, or may knock it down.

Reflected meta-fiction novel in being offered a new and different understanding of modalities in speech novelist and be the production of the novel through awareness, like innovation of imaginedworld provides a review about itself, and so this technique be an attempt to get out from the classical narrative and novel rebellionabout any law bounded it.

This technique has been put forward (meta-fiction) in Iraq's novel, which form the phenomenon which can be studied and explored, and this is what we are doing in this study which based on analyze three Iraqi novels;(Safar Assarmadya) of Abdul Khaliq Al-Rikabi, and (Khidhir Kad and Al-Assr Al-Zaytouni) of Nassif Falak, and (Al-Balad Al-Jameel) of Ahmed Saadawi, has reached several search results Perhaps the most important: 1.

In this research, we adopted the opinion of Linda Htchion and Patricia Ouch that the existence of the document or manuscript is one of the technical features of (meta-fiction).

2.

Imagining compleximaginary visions make the novelist reflects through various social, religious and cosmic phenomena, or reflects his psychological concern about these phenomena, so the text appears in the form of a complex combination shock the reader with its narrativetools and techniques.

3.

Break beyond the horizon of expectation,novel goes byond chronology and correlation of spatial constraints attempting to fragment the barrative illusion byrealism,and the confusion of regularreceiving operations with arrest credibilityof the novelist event.