المتلقي بين التخييل و المحاكاة و التأثير في نظرية الشعر عند حازم القرطاجني (684 ه)‎

Abstract EN

At Hazem.

Al Kartajini, The theory of poetic imagination, capable of marking the senses and the psychology of the reader, is based on a conception inspired both by the Arab heritage and by the logical and philosophical foundations Hellenistic culture.

The interest granted by Hazem.

Al Kartajini to the reader manifests itself particularly through his taxonomy of the "imaginative sayings" and the way in which the public reacts to it.

Hazem.

Al Kartajini places at the center of his preoccupations the psychological and affective dimensions of the reader and the way to dominate his senses and emotions by using "tricks" and "dissimulation" in order to make credible and plausible poetic discourse.

From there, the aim of this intervention is to answer the following questions: what vision Hazem.

Did Al Kartajini have any readers? The abundance of terms related to reception in Hazem's book.

Al Kartajini "Al Minhaj" can the reader be set up as a central component with the power to act in the processes of imagination, mimesis and printing? What is the nature of the relationship between the reader and the imagined text? How is the impressive function of poetry defined by Hazem? Al Kartajini in his relationship with the reader? And finally we can conclude that for Hazem.

Al Kartajini, it is in the reader that poetry draws its power to act?