دلالة أسماء الشخصيات في الرواية الجزائرية : الرماد الذي غسل الماء لعز الدين جلاوجي-أنموذجا-

Abstract EN

The Algerian novel has its own narrative construction in harmony with its intellectual and cultural contents and their charges.

all this is built inside well-connected narrative constructions which take into account known conceptions such as elements successions within a general texture and singularity in preserving hidden contents that external context entails in its consecutive movements despite differences emerging in many narrative spots.

characters are among salient elements that attract readers by means of their speeches and deeds which, in the eyes of every reader, are charged with significations and implications revealed only through deep diving inside and following their paths.

added to that, characters' names have various significations as they are not chosen arbitrarily but the narrative ego wants to lean on the remaining elements, inside the narrative construction, to long consciously and knowingly to all the text's surroundings, especially characters who possess whims that require expressive and determined styles to convey sufficient significations from mere individual names to the least speech and deed.

consequently, this research study aims at approaching such important elements inside novelistic discourse of Azzedine Djelaoudji's novel '' Al-Ramad Allathi Ghasala al-ma " where constructions of novelistic characters are tracked along with their way of evolution within narrative texture.

special focus is put on the links that names have with different artful and intellectual levels and the impact of these connections on characters functional performance on the one hand and narrative fiction joints on the other.