ثنائية الحسي و العقلي في العرض المسرحي : نظرية نيتشيه انموذجا

Joint Authors

الشبيبي، زينة كفاح علي محمد
شناوة، محمد فضيل

Source

مجلة نابو للبحوث و الدراسات

Issue

Vol. 14, Issue 17 (31 Mar. 2017), pp.65-84, 20 p.

Publisher

University of Babylon College of Fine Arts

Publication Date

2017-03-31

Country of Publication

Iraq

No. of Pages

20

Main Subjects

Arts & Humanities (Multidisciplinary)

Abstract EN

Research came four seasons, which included (Chapter I) entitled (the methodological framework of the research) the problem of existing research on the question of the following: How embodied for bilateral attendance (sensory and mental) and produced by those bilateral intellectual and aesthetic dimensions within the system offer letter? And it manifested itself (the importance of research and the need for him) in: 1.

Confirm the presence of the philosophical ideas in the creation and performance of theater and its artistic and aesthetic.

2.

Highlights (Nietzsche's theory) bilateral sensory, mental, and her portrayal in the play.

3.

According involved in dramatic literature, theater and art direction of his request, institutes and colleges of the arts.

- The (aim of the research) has been involved in: Juxtaposition of drama and philosophical theories and mutual vulnerability between them in the display space, especially known embodied the dual sensory and mental attendance (Nietzsche) theory of theatrical presentation.

Either (limits search) objectivity, it's pointed to: - The application of the theory (Nietzsche) in the drama, according to the bi-sensory and mental (Diniossi and Alapulona).

Identified spatially: Babylon University / College of Fine Arts and select the duration of time for 2011.

The (Chapter II) entitled (the theoretical framework and previous studies) has included two sections entitled to the following order: First topic: dual sensory and mental (Nietzsche's theory).

The second topic: the story and the idea of a play (Sami / varmint).

Then concluded Chapter indices resulting from the theoretical framework and previous studies.

The (Chapter III), including research procedures, namely:First, the research sample, as a sample has been applied to a play selection (Sami / varmint).

Second, the search tool, the researchers relied on the theoretical framework indicators as a tool for the research sample.

Third, the research methodology, the researchers adopted a descriptive approach (analysis) to analyze the sample.

Fourth: the sample analysis, a play (Sami / varmint).

The (Chapter IV) has included: First results.

Second: Conclusions.

Then proven sources, references and summary in English.

American Psychological Association (APA)

شناوة، محمد فضيل والشبيبي، زينة كفاح علي محمد. 2017. ثنائية الحسي و العقلي في العرض المسرحي : نظرية نيتشيه انموذجا. مجلة نابو للبحوث و الدراسات،مج. 14، ع. 17، ص ص. 65-84.
https://search.emarefa.net/detail/BIM-877404

Modern Language Association (MLA)

شناوة، محمد فضيل والشبيبي، زينة كفاح علي محمد. ثنائية الحسي و العقلي في العرض المسرحي : نظرية نيتشيه انموذجا. مجلة نابو للبحوث و الدراسات مج. 14، ع. 17 (آذار 2017)، ص ص. 65-84.
https://search.emarefa.net/detail/BIM-877404

American Medical Association (AMA)

شناوة، محمد فضيل والشبيبي، زينة كفاح علي محمد. ثنائية الحسي و العقلي في العرض المسرحي : نظرية نيتشيه انموذجا. مجلة نابو للبحوث و الدراسات. 2017. مج. 14، ع. 17، ص ص. 65-84.
https://search.emarefa.net/detail/BIM-877404

Data Type

Journal Articles

Language

Arabic

Notes

يتضمن هوامش : ص. 83-84

Record ID

BIM-877404