توظيف الإيهام الصوري في العرض المسرحي : مسرحية هيروسترات أنموذجا

Author

الشيباني، علي عبد الحسين عبد

Source

مجلة نابو للبحوث و الدراسات

Issue

Vol. 15, Issue 18 (30 Jun. 2017), pp.121-144, 24 p.

Publisher

University of Babylon College of Fine Arts

Publication Date

2017-06-30

Country of Publication

Iraq

No. of Pages

24

Main Subjects

Arts

Abstract EN

Itholds a theater across the historic march diverse forms of messagingand media that carry them towards the public, which is one of theelements that can not be reduced or sequestered no matter how many waysthe vision and the processing for display of theatrical in its forms anddoctrines and schools and empirical dimensions, hence, any theatricalperformance is a humanitarian message with contiguitywiththe receiver targeted to raise his ideas, and the theater holds at thesame time aesthetic dimensions pertaining to the nature of being an artoutside the boundaries of the real acts that pervades life, that artwhich differs from its reality and other details in support of the factthat, thus indicates its association with a kind of distributed ironyamong severalartfreestanding his artistic and aesthetic advantage, which at the sametime a message ad valorem her Msasha with the community, and summed upthis paradox in the theater's ability to sharpen our vision of re-alityand our understanding of him, though he means Aahammeh expressioncharacterized Bastnaa clear vexatiousness and falsity, and therefore theresearcher finds it necessary Search placed illu-sionand employ them in the theater, came to search, including the following subdivisions: - Methodological framework to ensure the research problem and theimportance of research and then derive the basis of objective research, and the limits of research and concluded methodological frameworkdefines key terms.

- The theoretical framework included two sections, the first (crea-tethe illusion: Prospects and theoretical concepts) and second (giving theimpression the picture in the theatrical elements) and then chapterconcluded indices resulting from the theoretical framework.

- Research procedures, a research and specimens, tools, community, andresearch methodology, and then analyze the sample, which represented aplay (Hirostrut) .Andthen View Finder results of his research, which was the most important (a form of theatrical The spacedirector of geographic locations group onstage by adopting the vocabulary of decorative fixed and mobile added tothe offer scientistsCreate the illusion disclosed Spacetimeevents, added adramatic and aesthetically pleasing dimension to the overall viewingarea).

As well as offer conclusions and then research sources and concludes in English

American Psychological Association (APA)

الشيباني، علي عبد الحسين عبد. 2017. توظيف الإيهام الصوري في العرض المسرحي : مسرحية هيروسترات أنموذجا. مجلة نابو للبحوث و الدراسات،مج. 15، ع. 18، ص ص. 121-144.
https://search.emarefa.net/detail/BIM-877451

Modern Language Association (MLA)

الشيباني، علي عبد الحسين عبد. توظيف الإيهام الصوري في العرض المسرحي : مسرحية هيروسترات أنموذجا. مجلة نابو للبحوث و الدراسات مج. 15، ع. 18 (حزيران 2017)، ص ص. 121-144.
https://search.emarefa.net/detail/BIM-877451

American Medical Association (AMA)

الشيباني، علي عبد الحسين عبد. توظيف الإيهام الصوري في العرض المسرحي : مسرحية هيروسترات أنموذجا. مجلة نابو للبحوث و الدراسات. 2017. مج. 15، ع. 18، ص ص. 121-144.
https://search.emarefa.net/detail/BIM-877451

Data Type

Journal Articles

Language

Arabic

Notes

يتضمن هوامش : ص. 140-142

Record ID

BIM-877451