الخامة و أثرها على البنية الجمالية للوحة التكعيبية

Abstract EN

The research examined the material effect on the aesthetic structure of the cubism painting.

The effect of the aesthetic effect on the Cubic painting, including the use of new raw materials, was highlighted by the research, which develops the aesthetic taste and reveals the effect of the material in the structure of the plastic painting.

Accordingly, the research included four chapters, the first of which dealt with the problem of research, its importance, the need for it, and its purpose, with the definition of terminology in linguistics and terminology.

The second chapter, which includes the theoretical framework, dealt with Cubism as a technical method by addressing its origin and development (cubism - direction and school), as well as the definition of the subject of raw material and artistic vision.

As for the third chapter, it included the research procedures that include the research community and the handling of models of its sample based on this work, and the conclusion in the fourth chapter with the results that relate to the subject of the research: 1.

The process of painting the painting in Cubic art is no longer a drawing, but rather a process of painting.

2.

Syntactic cubism approached the reality, because it introduced raw materials taken from it.

3.

Cubism abolished the traditional perspective, and replaced it with multi-dimensional forms that achieve the fourth dimension defined by time, through the overlapping of the forms of the technique carried by the painting in the direction of Cubism.

The most prominent conclusions are: 1.

Collage technique gave a symbolic and symbolic value to the forms affixed to the painting.

2.

The tight-knit collage technique gives a sense of strength and vitality.

Among the most prominent proposals: Conducting a study dealing with the raw materials of the female artist in the plastic painting of contemporary Iraqi art