جماليات التقنيات الرقمية في تشكيل العرض المسرحي العالمي

Joint Authors

الشمري، محمد كاظم هاشم
حبيب، محمد حسين محمد

Source

مجلة نابو للبحوث و الدراسات

Issue

Vol. 16, Issue 19 (30 Sep. 2017), pp.37-66, 30 p.

Publisher

University of Babylon College of Fine Arts

Publication Date

2017-09-30

Country of Publication

Iraq

No. of Pages

30

Main Subjects

Arts

Abstract EN

The digital technology consists of devices, devices and equipment operating in binary system, ie, the encryption system which consists of (0, 1).

It is the main technical computer from which many of the digital techniques and devices that belong to the theatrical presentation such as projector devices or audio and video processors.

The techniques of artistic and creative presence through its use as a technique that plays its role in theatrical presentation.

These digital techniques gave theatrical director wide space in the multiplicity of his hypotheses and options by determining the dramatic environment of events.

Has become an important role in establishing the foundations of theatrical director in theatrical play .

The current research consists of four chapters: The first chapter is the methodological framework which includes the problem of research, its importance and its purpose, which summarizes how to recognize the aesthetics of digital techniques in the formation of theatrical presentation.

This chapter also included the limits of research, The study ended with the study of digital theatrical techniques through theatrical production.

The chapter concluded by defining the terminology and defining it linguistically, theoretically and procedurally.

The second chapter is the theoretical framework and the previous studies, which included two topics: The first is (digital art trends and visions) in which the study of digital art and its literary and artistic.

The second topic is (Aesthetics of digital techniques in theatrical experiments in the world), where he studied the aesthetics of digital techniques in the experiments of global output and concluded the chapter of previous studies and discussed and the most important indicators that resulted from the theoretical framework.

The third chapter, which deals with the research procedures of the research society and its samples, which was selected in an original way, is based on the indicators that emerged from the theoretical framework as a tool for analysis in a descriptive approach and for viewing the presentations and photographs.

The fourth chapter is the results, , Recommendations and proposals, to end the search of the list of sources

American Psychological Association (APA)

حبيب، محمد حسين محمد والشمري، محمد كاظم هاشم. 2017. جماليات التقنيات الرقمية في تشكيل العرض المسرحي العالمي. مجلة نابو للبحوث و الدراسات،مج. 16، ع. 19، ص ص. 37-66.
https://search.emarefa.net/detail/BIM-877458

Modern Language Association (MLA)

حبيب، محمد حسين محمد والشمري، محمد كاظم هاشم. جماليات التقنيات الرقمية في تشكيل العرض المسرحي العالمي. مجلة نابو للبحوث و الدراسات مج. 16، ع. 19 (أيلول 2017)، ص ص. 37-66.
https://search.emarefa.net/detail/BIM-877458

American Medical Association (AMA)

حبيب، محمد حسين محمد والشمري، محمد كاظم هاشم. جماليات التقنيات الرقمية في تشكيل العرض المسرحي العالمي. مجلة نابو للبحوث و الدراسات. 2017. مج. 16، ع. 19، ص ص. 37-66.
https://search.emarefa.net/detail/BIM-877458

Data Type

Journal Articles

Language

Arabic

Notes

يتضمن هوامش : ص. 63-64

Record ID

BIM-877458