البنية الموسيقية و علاقتها بالنص الشعري في قوالب الغناء العربي : الموشح أنموذجا

Abstract EN

The lyrical work represents an integrated structure that contains congruent group structures.

The melodic sentences are those structures.

The word or part of the poetic house is the structure of the lyrical work according to the melody.

Thus, the whole melody of the word determines the musical structure that can be realized by hearing.

The wholesale integration of lyrical melody, influenced by the listener as affected by the words of the poem when hearing it.

There is fundamental relationship between poetry and the word and poetry closely, the formula of the Muashah singing Arabi characterized by fixed rules and their specific characteristics in the construction of music and poetic text, The poetic text of the mashah was arranged according to special rules in terms of weight, Rhyme, length and number of poetic verses.

The text of the Muashah is very related to music.

It was built on the musical rhythm rather than the poetic rhythm.

Therefore he was told order a scarf and did not say his poet, And this indicates the difference between tradition and the Muashah.

There are reasons that led the poets to this method in the systems, Including the composition of society and geographical nature and class inequality and the multiplicity of origins and doctrines of the population.

The invention of Muashah and encouraged poets to move away from the familiar and rebellious traditional forms of poetry in response to the need of singing and seeks to find this research to know the causes of invention, And what is its purposes and how to capture and balance, And the work of Zriab in its innovation and its connection to the songs of the Tropador and what are the differences and similarities in the musical orientations of the Arab East.

The role of the text and its importance is no less important than the role of music in the construction of the lyrical work, We will discuss this in a study titled (Musical structure and its relationship to the poetry text in the Arabic music form-a Muashah model)