إشكالية المطلق في النص المسرحي العراقي

Abstract EN

Absoluteness as a concept is considered one of the subjects that has occupied man's mind both in the past and the present time.

It is one of the subjects at which man has stopped from the time of his existence on earth.

Since man has opened his eyes, he has seriously tried to explain the natural phenomena in all their forms, images and mysteries.

Then he began to explore the surrounding materialistic things attempting to find the secret of their existence and creation.

He also contemplated the functions and the usefulness of those things although he did not have the tools of search to arrive at the facts of existence.

This research (The Problem of Absoluteness in the Iraqi Dramatic Text) includes four chapters: The first, the methodological framework, deals with the problem which is represented by the following enquiry: The possibility of finding conceptual forms which are compatible with the concept of absoluteness in the Iraqi dramatic text? The importance of the research lies in its focus on the technique by which absoluteness is working intellectually and dramatically in the Iraqi dramatic texts which may undergo various meanings and interpretations; in addition to the fact that the research is an intellectual product which is useful for the students of the colleges and institutes of fine arts and for those working in the dramatic art and criticism.

The research is limited to the Iraqi dramatic texts which were written between 2001-2010).

The chapter ends with clarification of some terms of the title.

The second chapter, the theoretical framework, includes two sections: the first deals with studying the concept of absoluteness philosophically whereas the second deals with studying the concept of absoluteness in the international dramatic text.

The chapter ends with some important indicators which the theoretical framework has come up with.

As far as the previous studies are concerned, it has been found that there is one study only which is a Ph.

D thesis entitled (The Problem of Absoluteness in Modern Drawing) by Dr.

Fakir Muhammad Hassan al-Rubaie The third chapter, the procedures, includes the society of the research which is composed of (20) Iraqi dramatic texts written between 2001-2010.

One text has been randomly chosen to represent the sample of the research.

The analytic-descriptive method has been adopted to analyze the sample The fourth chapter came includes five themes are the search results, including: 1.

A clear disparity to the concept of absolute of the one in the text.

2.

Use the writer of the concept of absolute b (mind) as a means of salvation.

After it reached a researcher to a number of conclusions, including: 1) Human inability to determine his fate in front of it and a heart always resigned to invoke his mind 2) a game time used by the writer in the body of the of Text shows us that what might have been in the past is the same thing that is happening now.

The researchers came out with some recommendations and made some proposals, namely: 1.

absolute Semantics in the texts of children's theater.

2.

Absolute ranges of operation in the old theatrical texts.

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