المنزع الجمالي و فاعلية اللغة المعدولة في التصوير البياني : قراءة في أسلوبية التراث النقدي و البلاغي

Abstract EN

This research tries to put the light on one of the most important beauty figures in literature language which is the reality of displacement.

The latter is defined in our rhetorical heritage as renouncement.

The view point of this approached was based on the rhetorical image that is produced as being beyond the reality based on the general regulatory principles of the language to the second level of language that violates those principles and thus results the likening , metaphysics and the borrowing.