التداخل الأجناسي في روايات واسيني الأعرج رواية "سيرة المنتهى.. عشتها كما اشتهتني" : أنموذجا من الجنس و الحدود إلى الكتابة و اللاحدود

Abstract EN

The term "genre" has risen, and it has been widely discussed in many contemporary studies and critical research, and thanks to it the contemporary novel has transcended its boundaries and broken its limits and surpassed the stagnation it had gone through since its beginnings.

The novel has become open to literary and non-literary genres.

Accordingly, a modern narrativ style has emerged, and which liberated and absorbed other genres and melted literary and non-literary genres.

The novel became a comprehensive text of a series of discourses consistent with each other.

An example of this is the novel of Waciny Laredj, "Sirat al-muntaha 'ishtuha kama ishtahatni" in which he tries to build a new narrative text, where the novel is combined with biography, poetry, short story, drama, cinema, etc., to be eventually accomplished in an experimental mold which seeks to engage in a dialogue with the passionate human self that aspires to experimentation and innovation.

The question that arises is, what are the limits of the openness of the narrative genre to the other literary and non-literary styles and genres in the novel of Waciny Laredj, "Sirat al-muntaha 'ishtuha kama ishtahatni?"