تماهي التاريخ و التخييل في رواية سوناتا لأشباح القدس لواسيني الأعرج

Abstract EN

This study aims to clarify the aesthetics of experimental formation in the novel "Sonata of the Ghosts of Jerusalem", which went beyond the familiar to create a different rhetorical image, and made the visual reality and imagined as a recall of history through the act of imagination.

The novel does not say history because it is not an obsession and does not investigate events and facts to test them, it is not one of its functions, but based only on historical material and push it to say what history can say.

Our study, through our approach to this novel, reached conclusions that are summarized in- that history is formed as knowledge produced by the narrative imagination, within aesthetic contexts focused on the argument of demolition and construction and exile prevailing and installed imaginary.

The Sonata of the Ghosts of Jerusalem is the story of a homeland called Palestine, the human heritage and the cry of a narrative of chronic pain.

It oscillates between the past and the present through high strands of memory, dream, decay and wills, where places, times and personalities are crowded between exile and Motherland.