التحولات النفسية لشخصية البطل في النص المسرحي التعبيري

Abstract EN

The research includes four chapters.

The first chapter includes the methodological framework of research and the problem of research based on the following question: What are the psychological transformations of the character of the hero in the expressive theater text? While the importance of research and the need for attention to the current research in the reference to the psychological transformations of the character of the hero and highlight the causes and results through the brain drama played by these characters to activate the atmosphere and appropriate drama.

The research benefits researchers and researchers in the field of theatrical composition and criticism by introducing them and informing them of the psychological transformations of the character of the hero in the expressive theatrical text.

The goal of the research is to identify the psychological transformations of the hero in the expressive theater text.

The limits of the research were confined to the play (Germany - America) for the period of time (1915-1930) and concluded the chapter with the definition of terms and procedural definition (psychological transformation of the hero) The main in Lamsarih through the events that go through leads to the emergence of new social and psychological conditions away from the original character in the play The second chapter deals with the personality of the psychological hero in the expressive theatrical text and how to show the book to this character and concluded the chapter with the indicators that Which resulted from theoretical framework and previous studies.

As for the third chapter, it included the research procedures which are the research society and its sample, which the researchers chose deliberately for the purpose of the research, its problem and its objectives.

The research method The researchers relied on the descriptive approach (content analysis) and based on the indicators that resulted from the theoretical framework.

The fourth chapter contains the results, including: 1- The expressionist writer presented us with a lot of psychological transformations within the main character (the hero) through which he worked to critique the living reality by personality.

2- Expressionist writers concerned with the psychological dimension of the expressionist personality and its social, psychological and economic conflict with the ocean.

The chapter then included conclusions, recommendations, proposals, and a list of sources, references and annexes