السمات الجمالية لتصوير العصور الوسطى و تمثلاتها في عصر النهضة : الفنان (جيوتو)‎ أنموذجا

Abstract EN

This research is an attempt to identify the aesthetic features of the Middle Ages in the arts of the Renaissance especially the work of the artist (Giotto) model, where the research contained four chapters, the first chapter included the problem of research and its importance and the need for it.

The problem of research was determined to investigate the answer to the following question: The objective of the research was to shed light on the aesthetic features of the Middle Ages and the significant changes in human life (artistic, scientific and intellectual).

The limits of the research were determined by a collection of works of art during the period ( 1224 AD-1438 AD), and also fix suction Talaat aesthetically and philosophically.

The second chapter included three subjects, the first of which was the aesthetic features of the arts of the Middle Ages, and the most important aesthetic transformations in the Renaissance.

The second section included the features of the expression in Italian photography in Pisa (Florence, Spain - Sinaia - Rome), while the third topic included the theme of aesthetic features in the works of artist Giotto Dabondoni, Giotto architectural, and bell tower.

As well as the most important indicators of the theoretical framework.

The third chapter deals with the procedures that included the research society which is the drawing (drawing) and the sample of the intentional research and reached (5) the models and methodology of the research which is the descriptive approach and the research tool.

The fourth chapter includes conclusions, conclusions, suggestions and recommendations.1.The artistic diversity of Giotto's painting has brought visual excitement through the interconnection of its plastic elements and its attention to lines and colors.The research ended with the most important sources in Arabic and English.