عمر الخيام في رباعياته و طالب الحيدري في معلقاته : دراسة في التناص الفكري

Abstract EN

The subject of the Intertextuality of important topics that began to take an important place in the areas of contemporary Arab critical discourse, and we have presented this research introduction to the development of the term Intertextuality in the West and its prevalence, and then its transition to Arab culture, We have referred to the Arabs' knowledge of intertextuality in the critical discourse of Arab heritage, even with other names, as well as to the Arabs' knowledge of intertextuality in modern critical Arab discourse, we have found that the best of consciously or unintentionally posed intertextuality is the contemporary Iraqi poet Talib Al-Haidari, a great poet, who read the Khayam early in his life and translated his quartets in 1947, The research dealt with a number of titles, foremost of which was the theory of intertextuality and its origin, the quartets and their weights, the research dealt with a number of titles, foremost of which was the theory of intertextuality and its origin, the quartets and their weights, Khayam and the early sources that talked about in chronological order, the teachers of Khayam, Khayam and his times, and the city of Nishapur.

Then the talk about the poet Al-Haidari, who is Talib Al-Haidari? , and his professors, his links with the writers of his time, and his struggle, His poetic purposes, and his works.

Then the definition of the philosophy of Khayam , and intertextuality between the quartets of Khayam and poetry of Al-Haidari, and a several topics were chosen between the two men represent represents the meaning of the philosophy of Dust which is the philosophy of Arab essence, and coercion and choice, and alienation and isolation and alienation, confusion and reflection, and repentance.

Then the meanings of the other Khayam mentioned in the poems of Al-Haidari were listed