بنائية الصورة بين الانطباعية و السوبريالية : دراسة مقارنة

Abstract EN

Meant current research in the review of the technical concept of the picture and Bnaiatha and its ability to produce a logical perceptions about the core of the work and relationships, The way secured building, Controlled by objective laws have undergone a long series of developments in the world of visual strayed Alngert digital technologies and advanced life, Mmafrd it all on the photo to take a constructive and different ideas, The axioms of invoking common sense to determine cases of congruence or similarity between them and represent Matqom.

So researchers interested in shedding light on the scene to document the movements of Impressionism and Alsobrialah through a question that has been posed a problem in search of the first chapter, a property: How intellectual transformations and technological and technical developments have contributed to the difference in vision to install the scene at the time of the two movements? As well as the first chapter discusses the importance of research and the need for him and the goal of the research was to identify the structural technical picture between Impressionism and Alsobrialah.

As well as the limits of research and determine the terms and defined.

The second chapter was divided into two sections.

Eating the first part, the concept of the picture and Bnayatha.

The second topic dealt with the structural technical picture at the Impressionist and Alsobrialah.

The third chapter dealt with the research procedures of the methodology used and the research community and research sample and search tool of observation.

With the sample, which included four samples of painting and sculpture analysis of Impressionism and Alsobrialah and to achieve the aim of the research analysis.

The fourth chapter has reviewed the most important results that are Mqranh table for two movements of Impressionism and Alsobrialah reached with discussion.

From these results: 1-Impressionism were adopted in the simulated reality on the direct perception of the scene captured in accordance with the visual to see directly, and vessels.

And Anah.binma adopted Alsobrialah on sensory perception but indirectly, because it relied on the photo in the graphic and realistic figure in the sculpture.

2- Were similar movements to target time to stop the scene photographer, by turning the time, the moment you start documenting the topic directly.

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Alsobrialah worked to stop time through the use of the camera to take a picture of the scene.