وظائف الحوار السردي في بنية النص الدرامي الجزائري

Abstract EN

Instead of a narrative epic Theatre dialogue, became an essential link to the Narrator the narration of events submitted to the characters and the descriptor of place and Savin in time, this narrative feature forms associated with a narrator (whether the author or one of the characters) that presents the events as seen by either historical are Back to the story in the past and bring it down on the ground until all of the historical dimension and emotional dimension, and the profile to reflect the historical character and each incident historical incident is not repeated, accident, associated with the selected item, in the course of this incident to accumulate mutual relations between people.

So how he employed narrative in Algerian theatrical texts? And why? And where those texts derived content? Is it rooted in folklore society? Or is the list stems from the novel saga? Do you hire a service to the theater? Or the epic Theatre service approach taken by our book? And how they impact the narrative structure of playwriting? And does a positive role for dramatic text service? Or is it ravaged the structure of grassroots elements of drama and constructivism?.