الصراع الدرامي و تشظي الذات في قصيدة (كومبارس)‎ للشاعر نضال زيغان

Abstract EN

As the contemporary Arabic poem is an intermixture between narrative and poetic, this paper aims at uncovering the most important techniques of constructing the scene of dramatic conflict through the Nidal Zighan’s poem "Compars" by focusing on the fragmented self between different voices of the text, like the self and the last, the poem and its poet, the narrator and his story, the compars and its role, and the scenario and its author ; where the description, the question and the explosion, declare the unexpected rebellion written on the writer, On the platform of a station, reducing life, between the beginning and the end, the end of the poem that did not write its end.

All in a language that reflected an act of open choice based on the scattered connotations between the struggles of the poet self and the special vision of the world, of life and exile.