تقنيات الطباعة الغائرة في الكرافيك العراقي المعاصر : دراسة في تحولات الإظهار

Abstract EN

Cavernous in Iraqi contemporary graphic printing techniques Study shifts the display .

In four seasons, which included the first chapter methodological framework, it has been doing research problem which states: - What are the mechanics of engaging in special printing techniques cavernous? - Is varied intaglio printing techniques to show the achievements of the Iraqi Alkravekah contemporary? - What is the impact of multiple intaglio printing techniques to show the achievements of the Iraqi Alkravekah contemporary? - What are the changes taking place as a result of variation in intaglio techniques Alkraveka done? And then it came the subsequent importance of research objective research and then define the limits of search terms.

The second chapter devoted to the theoretical framework, and included two sections: First topic: the mechanism of the backs in the cavernous / where it was through the study of technical quality and Tnoath to show the achievements Alkravekah course cavernous and vested with all the manifestations of the technology level of form printing.

The second topic: Alkravek Iraqi contemporary / in terms of addressing the historical evolution of Alkravek Altmrahl in Iraq and the factors that led to it.

The third chapter included research procedures and which has been selected, the community and the research sample, and research methodology, and then the sample consisting of analysis (5) models.

Of the most important findings of the researcher in the fourth quarter: 1.

swishing technology grant degrees water color Aquatint freedom of the artist in the Inserts and governed in the visual field through the input bullet Dots and color gamut (Shadow and Light Light and Shadow), also give Ntaija clear in terms of texture particleboard, and largely due to the bullet impact (particleboard ) left by atoms Alqlafinuh Aquatint, but the weakness lies in the linear backs.

2.

water drilling technology in sugar Sugar Aquatint give comparable results than those given by the fossil-resistant technology on Alozaara level, but the difference lies in the display Almc in terms of the water with sugar drilling technique gives a sense of the brush strokes than those given by the fossil-resistant technology.

One of the main conclusions: 1.

that the technique is the key driver for any show Kraveka, from where he can not manifestations of the visual field that only through a succession of work on modalities to engage in those technical realized.

2.

The variation in the technical use of made it done Alkraveka is static Static (fixed), but convertibles and open-minded Azaaraa accordingly heterogeneous And Proposals researcher : Technical and its impact on the aesthetic wording in the art of contemporary Iraqi Alkravek.