التمثلات الروحية في الرسم التجريدي

Abstract EN

The research included four chapters.

The first chapter deals with the problem of the research, its importance and the need for it, the purpose of the research and its limits, and the definition of the most important terms in it.

The problem of research is determined by answering the following question: Does the spiritual aspects have an effective effect in abstract visual discourse? The research aims at: To identify the Spiritual Representations in Abstract Painting.

The second chapter deals with the theoretical framework, where two subjects included the first topic (art and his spiritual speech), while the second topic deals with (spiritual in abstract modernity).

The third chapter included the research procedures: the research community, the research sample, the research tool, the research methodology, and the analysis of the research sample.

The fourth chapter includ the results of the research, the conclusions, the recommendations and the suggestions.

One of the most important conclusions reached by the researcher is that (Kandanski's abstract painting) expresses the emotional self that operates according to the technical and stylistic treatment.

The lines are flexible and smooth, From the rhythm of the music and its extent, and in its profound impact on the soul without the specificity of the content of what, which sought (Kandinsky) in the form (1-2), the lines closer to the total and spiritual, rather than the sensory partial).

The researcher also found a number of conclusions, including: (based on the spiritual representations in abstract painting through the symbolism in the structural elements and according to the technical treatment of the painter, as the symbol suggests the mystical and spiritual connotations of the visual form sensory connected to the real world directly).