جدلية الماء و النار في منمنمات الشاهنامة

Abstract EN

This research means to study (the dialectic of water and fire in the Shahnameh miniatures) lies in the four chapter devoted the first chapter to a cler the research problem, and the importance and needs it and the goal of the research and its borders and to identify the most important terms contained therein.

Grabbed problem placed dialectic of water and fire in the miniatures Shahnameh with the artist (Kamaluddin Behzad) through the elements of water presence and fire in religion and philosophy, which was echoed widely in the community movement, his habits culture, it was reflecting for her patterns of manifestations represented in these miniatures,so as to be art and a description of the essence of myth and religion (the activities of the soul) and everything related to the inner spiritual presence ..Find a problem has been identified by answering the following questions .

Stand on the dialectical elements of the universe four especially (water and fire) in an epic Shahnameh, which appeur itself through the problematic joints with many aspects, present themselves forcefully in the form of inter questions require us then and explored and researched, do narrative legendary and epic on the issue of evolution of the universe of the four elements, especially ( water and fire), the witness and absent in the epic Shahnameh as a given religious and objectively decisive impact on the manifestation of water and fire miniatures in charge of the painter (Kamaluddin Behzad)? Or is it that the artist and self-critical role in shaping .These elements represent? Or Through a combination of both sides of the equation objective and self-activate Tosissatha for such a phenomenon? Is it possible to track or the demarcation of the origin of the universe or the theory behind the mechanics of the operation of the controversy that exists between water and fire in the Persian miniatures in general and miniatures painter (Kamaluddin Behzad) in particular .

What is the relationship between the elements of the universe (water and fire) and the drafting of formal artist (Kamaluddin Behzad) .

The first quarter also included, which is the goal of research: Detection of the dialectic between water and fire in the Shahnameh miniatures through technical Alachtgalat in miniatures (Kamaluddin Behzad) .

And ensure separation limits, and terminology with included theoretical framework of the second quarter and previous studies, handled the second chapter three sections: Me first elements of the presence of four of Philosophy (water and fire) and the first two axes in Greek philosophy and the second in Islamic philosophy, as Me First topic in the first two axes interested in (b elements exist in philosophy (water and fire).

as the second axis has cared for water and fire in Islamic philosophy.

Me and the second section epic Shahnameh - the study of the historical text of the epic and the third on: aesthetic dimensions in the art of miniature painting and art in general, especially Persian miniatures .

The third chapter singled search procedures: including community search and selection appointed by the (3) miniatures of art, then search tool Analysis of the sample .

And ensure the fourth quarter results, conclusions, recommendations, and suggestions, and the most important findings of the researcher, This is what came to search as well as recommendations and suggestions, sources in Arabic and English-language summary