جماليات الحرف العربي في رسوم بول كمي

Abstract EN

This research deals with the aesthetics of the Arabic letters in the Paul Klee drawings.

The Arabic character formed an artistic phenomenon in which some artists, among them Paul Klee, tried.

Through and through different styles and patterns.

Therefore, he borrowed (Arabic letter) formically to show his intellectual and aesthetic musculature through his preoccupations in the modern formal texts in general and in the special Paul Klee.

Thus, it is considered to be a formality, with aesthetic values that carry a symbolic and symbolic character within its formal expression system.

The research included four chapters : The first chapter (the methodological framework) (the problem of research, its importance and need, the purpose of the research, its limits, the definition and definition of research terms).

The second chapter (theoretical framework) contains two sections : The first topic - factors of the emergence of the art of Arabic character _ The mechanics of forming the Arabic letter The second subject: - The aesthetics of the Arabic character in the European paintingPaul Klee and the Arab incubator The third chapter: - The procedures included (the research community and the sample of the research (4) models and method of analysis of the sample research and analysis of sample samples), while the fourth chapter: - the results, conclusions, recommendations and proposals.

The research ended with bibliography sources, references and forms.

The second study (the aesthetics of Arabic letters in European painting, Paul Klee and the Arabic incubator).

The third chapter (procedures) consisted of (the research community, and the sample 4) models and method of analysis of the sample of the research, and analysis of sample samples).

Chapter 4 contains conclusions, conclusions, recommendations and proposals.

The research ended with sources, references and forms.