البعد الصوفي في المسرح الكوردي : مسرحية (خة ج و سيامند نموذجا)‎

Abstract EN

Multiple studies in all fields of art and dramafrom literature to the arts of decoration, light, color, representation and directing but We did not find any interest or studies of the sufi influence in the theater so The aim of this research is to determine the concept of the sufi influence in the theater, whether at the level of presentation or text.The research included four chapters, The researcher discussed in the first chapter the problem of research and the need for its , importance, purpose and Definition of Sufi terms and the second chapter included a detailed explanation of the theoretic framework on the evolution of the concept of Sufism and the historical roots of this doctrine And its connection with the arts, especially theatrical arts, internationally and in Arabic in the text or presentation.In this chapter, the researcher explored everything that could be explored about And its conection with art, theater and aesthetics, and raise them to the degree of beauty and science and access to the indicators that resulted from the theoretical framework.In the third chapter, the researcher undertook to achieve the research objectives by discussing theatrical text, which is the Kurdish play (Khaj and Siamand)text and presentation Kurdish play in dialect and Kurdish language Religious theme sufi love of God and romance in self-love to self and selfishness of some social figures and investigation of the researcher even the basic concepts of this theater or Sufi creed.

The fourth chapter included the results of this research by relying on the practical approach.

The search was completed by the list of sources.