تمظهرات التشيؤ في النص المسرحي العراقي

Abstract EN

With the escalation of the rhythms of the crisis of the modern era and the ferocity of the capital and the capitalist style that raged against the human destiny, a number of intellectual concepts that affect the human self, including the concept of "Desire", which worked on the acquisition of the human identity, was theatrical text effective in the production of contemporary theater discourse diversified sources of metaphors aesthetic A metaphor of history or folk heritage or the embodiment of a contemporary reality.

The first chapter (the methodological framework) included the problem of research and was in the form of a question; are there any manifestations of the emergence in the Iraqi theater text ?, its importance and need, and its purpose, which summarizes the following question: The term of the research texts, which was determined by the time period (2017-2017) and the place of the texts of the Iraqi play, but objectively research has been specialized in the study of theatrical texts that rely on the manifestations of distortion in the text of the Iraqi theater, Terminology His language is linguistically, theoretically and procedurally.

The second chapter focused on the theoretical framework, which included three topics: the first (Conceptual conceptualization), the second was devoted to the study of social deism.

The third topic was the representation of distortion in theatrical text.

This chapter concluded with the most important indicators that resulted from the theoretical framework.

In the third chapter (research procedures) represented by the research society and its sample, which was chosen in a fundamental way.

The tool of analysis was based on the indicators produced by the theoretical framework and the use of descriptive (analytical) The fourth chapter included the results, including: 1.

The disfigurement of the character of the play is manifested in the passage behind the material things in the play (Bab Alhawaj) in the personality (husband), which is behind the power of concealment and pursuit and possession to protect from the enemies..

2.

The distortion in the character of the play is shown in the paragraph of adherence to moral values in the play (Bab Al-Hawajaj) in the character of the wife and mother, especially in the non-acceptance of rape by the enemies, and then the conclusions, recommendations and suggestions.