ملامح الهوية الثقافية في النص المسرحي العراقي

Abstract EN

The playwright's reality and his specific surroundings are fertile for the subjects of his plays, in which his writing abilities are reflected and his reading of the spiritual, intellectual and social structure to which he belongs.

Therefore, theatrical text can be referred to as the writer's identity to the other.

Whether they are ethnic, religious or national, and the diversity of their geographical and cultural history.

The text of the theater accordingly is considered the main incubator, which constitutes an important historical document that can read the cultures of the society and its identity, which distinguishes it from other human societies, with its components not owned by another society.

Thus, the character of the writer and his interests in the cultures of his society will also emerge according to the concepts of an anthropological presence approved by the text And send them to the world to form their human presence in the global map.

The Iraqi text applies to all the previous requirements because it is a text that has a place in the artistic, cultural and artistic societies, as well as being in an era of openness and identification of identities and their overlap and ease of migration to other communities because of the elements of social networking, media, information technology, the Internet and the media era.