الاتجاه النفسي الوجودي للشخصية في الخطاب المسرحي العراق

Abstract EN

The character is considered as the basic and central element around which the data of the search for truth, reality and knowledge, which are produced by the experience in the fields of psychology and theater, are intertwined so that one can rely on the other without separation of the meaning of man and its relation to existence or what exists in existence and its impact on human personality.

Personality of the play is the personality of the creator of its creator or the same means that the relationship is essentially psychological and not so other theories were taken in line with specific areas converge and contrast in the direction of each direction.

The existence of existentialism as one of these trends, which was typical of the experimental movements and spread according to its means globally, and there is no doubt that the Iraqi theater is part of the system that will be influenced by this trend on the assumption, and here came the question of the problem of research (what the existential psychological direction of the character in the Iraqi theater discourse) (2005 - 2015) and spatial and objective after the researcher identified his goal to (know the existential psychological direction of the character in the speech of the Iraqi theater) and the contents of the first chapter (of the study divided into four chapters) the importance of research and the need to discuss terminology to determine the procedural definitions of vocabulary The second chapter, which included (the theoretical framework), came in two sections.

The first is to discuss the personality according to the existential psychological trend represented by his (Kierkegaard) and the Sartre model.

The second is to examine the psychological concepts in the light of the Syriac and theatrical theology, To the most important indicators that resulted from the theoretical framework