التوظيف الدرامي و الجمالي للمدرك الحسي في الفيلم السينمائي : الدرامي، المدرك الحسي، الفيلم السينمائي

Abstract EN

Fixed axioms that every work of art has two dimensions first dimension is no apparent ( perceived dal) .

As II relates Palmkhva or ( perceived sensory) .

And both of these dimensions Atzafaran in the assurance purposes and artwork represents the technical and content variations unit made up of different parts , regular and cohesive unit.

In addition to being a complex system of elements and regulated by the maker of parts within a given installation work for the purpose of delivering mental concepts refer the recipient to composition sensory Madrkath.

The researcher divide the current study into four chapters , as follows: Chapter One: the methodological framework for research and included ( research problem ), which limited the following question : ( What are the qualities by which the formation or the perceived embodiment of sensuous and how they are employed in the process of construction and aesthetic drama in the film ) .

The chapter is also included on the importance of research also included on the objectives of the research , namely- : 1- detection mechanism recruit and activate sensory perceived in the film.

2- disclosure of the drama and aesthetic dimensions to the functioning of sensory perceived in the film.

The second chapter included : ( theoretical framework and previous studies) .

Contained theoretical framework the: The first topic : the ( sensuous perceived , the term and concept) The second topic : ( drama Employment and sensory aesthetic aware in the film) .

Chapter III : (actions ) and identified the researcher (research methodology, the research community , research tool , and then chose one sample for analysis was the film " Babel " ).

The fourth quarter results , conclusions , recommendations, proposals , and the list of sources.