التوظيف الدرامي و الجمالي للمدرك الحسي في الفيلم السينمائي : الدرامي، المدرك الحسي، الفيلم السينمائي
Other Title(s)
Drama employment and aesthetic conscious sensory film education : dramatic, perceived sensory, film
Author
Source
Issue
Vol. 2014, Issue 66 (30 Sep. 2014), pp.1-21, 21 p.
Publisher
Al-Mustansiriyah University College Of Arts
Publication Date
2014-09-30
Country of Publication
Iraq
No. of Pages
21
Main Subjects
Abstract EN
Fixed axioms that every work of art has two dimensions first dimension is no apparent ( perceived dal) .
As II relates Palmkhva or ( perceived sensory) .
And both of these dimensions Atzafaran in the assurance purposes and artwork represents the technical and content variations unit made up of different parts , regular and cohesive unit.
In addition to being a complex system of elements and regulated by the maker of parts within a given installation work for the purpose of delivering mental concepts refer the recipient to composition sensory Madrkath.
The researcher divide the current study into four chapters , as follows: Chapter One: the methodological framework for research and included ( research problem ), which limited the following question : ( What are the qualities by which the formation or the perceived embodiment of sensuous and how they are employed in the process of construction and aesthetic drama in the film ) .
The chapter is also included on the importance of research also included on the objectives of the research , namely- : 1- detection mechanism recruit and activate sensory perceived in the film.
2- disclosure of the drama and aesthetic dimensions to the functioning of sensory perceived in the film.
The second chapter included : ( theoretical framework and previous studies) .
Contained theoretical framework the: The first topic : the ( sensuous perceived , the term and concept) The second topic : ( drama Employment and sensory aesthetic aware in the film) .
Chapter III : (actions ) and identified the researcher (research methodology, the research community , research tool , and then chose one sample for analysis was the film " Babel " ).
The fourth quarter results , conclusions , recommendations, proposals , and the list of sources.
American Psychological Association (APA)
إيمان حمادي عبد الأمير. 2014. التوظيف الدرامي و الجمالي للمدرك الحسي في الفيلم السينمائي : الدرامي، المدرك الحسي، الفيلم السينمائي. مجلة آداب المستنصرية،مج. 2014، ع. 66، ص ص. 1-21.
https://search.emarefa.net/detail/BIM-904950
Modern Language Association (MLA)
إيمان حمادي عبد الأمير. التوظيف الدرامي و الجمالي للمدرك الحسي في الفيلم السينمائي : الدرامي، المدرك الحسي، الفيلم السينمائي. مجلة آداب المستنصرية ع. 66 (2014)، ص ص. 1-21.
https://search.emarefa.net/detail/BIM-904950
American Medical Association (AMA)
إيمان حمادي عبد الأمير. التوظيف الدرامي و الجمالي للمدرك الحسي في الفيلم السينمائي : الدرامي، المدرك الحسي، الفيلم السينمائي. مجلة آداب المستنصرية. 2014. مج. 2014، ع. 66، ص ص. 1-21.
https://search.emarefa.net/detail/BIM-904950
Data Type
Journal Articles
Language
Arabic
Notes
يتضمن هوامش : ص. 19
Record ID
BIM-904950