المبنى الميتا سردي في رواية "رامة و التنين" لإدوار الخراط

Abstract EN

The meta-narration contractedness consider a prominent feature that distinguished between experimental narrative texts & postmodernism texts ,and between classic narrative texts & traditional texts ,as its pioneer authors had shaped it in realism mold according to contents which is not more than social reflections formed by traditional technique in all its aspects (construction ,events, plot) The meta-narration is one of the most prominent features of postmodernism, which in its entirety is the reflection of the narrative on its own envelope with a critical preoccupation that reveals the author's attitude towards creativity and intellectual attitudes that he adopts since the threshold before the text and through the text.

And the novel (Rama and the dragon) of the Egyptian writer Edouard Al-Kharrat topic of the study of the most prominent novels that adopted the technique meta-narrated in the three levels (pre-text, text, beyond the text), we note in the first level the intent to choose the title of the synergy significance with the design of the cover of the novel, The author of the narrative text is broken The time of elliptical track recital mortgagee interventions narrator (Michael), the true mirror of the author (Edward Kharrat), and to reassure the author to re-text output when the recipient intentionally writing critical article in the level of post text, explains the techniques in the new writing on the reader in the eighties of the last century