المكون الأسلوبي في شعر محمود درويش : مقاربة أسلوبية سياقية في قصيدة عاشق من فلسطين

Abstract EN

The study of the stylistic component in of Mahmoud Darwish ‘s poetry a stylistic contextual approach in the poem ‘A lover from Palestine’ aims to illustrate the developing aesthetic dimensions of a series of stylistic contexts that added to the poem a linguistic decoration and distinct stylistic composition which these contexts have kept their frequent existence as a continuity to the poem over time in terms of the work of the stylistic context of its syntactic, semantic and vocal types to show its aesthetic uniqueness which was a decisive factor in influencing the gourmet receiver through his work on astonishment and his interaction with the poem in a sincere interaction.

The poem comprised aesthetic stylistic values based on the methods adopted by the poet from repetition and contrast, contributed to decorate the component style of the poem.

Furthermore, the stylistic contexts used in the poem "Lover from Palestine" served as the counter-elements that formed constructive paradoxes that contradicted the reader's expectations and made him attracted to them by breaking the expressionistic sequences and the poet's getting out of the language and style’s familiarity.

The poem is subject to analysis included its stylistic components to semantic displacements and metaphoric intensities , and the poet developed this stylistic approach initiated by his poetical self in terms of the continuation of the metaphors that reflect the emotional aspect of Mahmoud Darwish's self, in his intimate and intense love to homeland Palestine in a deep strong emotion which appeared in all aspects of the poem .In addition to extracting the stylistic contexts in the poem and demonstrating its aesthetic dimensions and its impact on the reader, we counted the polyphonic melody in various types.

The rhythmic rhythms included a rhythmic peculiarity included in a poem by a lover from Palestine, imposed by the vocal context in the formations, And to the lips.

In addition to extracting the stylistic contexts in the poem and clarifying its aesthetic dimensions and its impact on the reader, we recorded the polyphonic melody in various types.

The lyrical stretches have a rhythmic peculiarity embedded in the ‘ a lover from Palestine’, imposed by the vocal context in pronunciations , and by which the letters ‘sounds varied in rimes and differentiated in pronunciation device from the extremity of the throat to the lips.