تقنية القناع في قصيدة "المسيح بعد الصلب" لبدر شاكر السياب

Abstract EN

The research titled "Mask technique in the poem (Christ after the crucifixion) for Bder Shaker Al-Sayab" dealt with a number of topics beginning with the definition of Mask technique and the beginning of its popularity in Arabic literature after the Second World War, especially in recent decades, as well as the definition of Mask technique.

The search for the field of mask invocation in literature, mask in the field of Arabic poetry and literature, and the use of the stories of the Prophets (p) as the most prominent religious figures in contemporary Arab poetry, including the personality of Christ.

The study examined the study of the poem "Christ after the crucifixion" by the explanation and interpretation, the method of using the mask, the construction of the circle of the poem, the dramatic construction in it, and the conflict between the positive and negative sides in the poem, and the relationship of intertextuality in literature mask, The conflict is an objective and subjective experience of two characters, one ancient and the other contemporary, and use the symbol in the mask literature, And the multiplicity of votes and personalities, and the role of monologue in bringing poetry closer to this poem, and dynamism in building speech, and measuring tension and emotion in action and character, and narrative construction.