مفهوم النقد الأدبي عند رولان بارت (1915-1980)‎

Abstract EN

This research deals with A great and Exalted scientist of literary criticism in France, and the dean of the deans of the new Literary criticism, trying in this paper is the definition of these Literary criticism personal inimitable and important, and it lists the acronym for his life, the most important stations in the creative career, then produce it, its effects.

The problem that I intend to answer them is represented in the following: Fame is the most important ideas that criticism alone by Roland Barthes? What are the most important issues and concepts pivotal literary criticism when Bart: criticism, creativity, and the new criticism, and literary work, and the Literary criticism and the truth, and the death of the author? What are the main differences between the terms of a literary work, text literary? And on what is critical path at Roland Barthes through three distinct periods: pre-structural period and address books: the degree zero of writing, and the private legends autopsy Legends French bourgeois society, then the period of structural and address book Racine, book structural analysis of the narrative, with reference to the Semiology scientific subject when Roland Bart, then a period after dealing writing Unfettered methodology, and the dominance of labels, book passages of the speech lover's body, and then the thrill of the text, and openness to the writing and reading when Roland Bart, as well as the text the power and importance of the reader and his role in dismantling the blades of this text, the difference basically between the latter and critic outstanding, which purports to Roland Bart ?