شعرية العدول في التراث النقدي العربي : قراءة في مفاهيم و وسائل شعرنة الكلام

Abstract EN

The concept of deviation (deviation) is considered one of the most important concepts for the aesthetic studies of literary discourse, for stylistics as well as for Western linguistics, including the violation of the standard language style which governs the linguistic system and makes it poetic and gives the recipient the pleasure and the benefit, for this cause the poetics of the world have recognized that the language of poetry has certain characteristics different from those of the language of prose (communicative), such a reflection led to the recognition that the critical opinion on the language of poetry should emerge from an awareness of the nature of this language far from the critical criteria specified for the language of prose.

Returning to our critical legacy which is rich in many critical texts of poets, as well as critics, and who became aware of this phenomenon, when they noticed that those who say or hear are not common words but that is a deviation from the current language, complaining of magic that shakes the liveliness of the receiver caused by this drop and this selection of words and different combination of the current, and when performing in the text shocks the receiver.

This article will attempt to analyze these critical texts that tried to follow the poetics of the literary text through the angle of the deviation.