قراءة صوتية في سينية البحتري

Abstract EN

The poems consist of a variety of sounds, convening in form and differing in meaning, through which the poet seeks to represent his psychological state in vision paradoxes compelled to a rhythm that shortens distances in phonation equalizations, thus the case of Al Buћturee in his Seeneeya, which comprises sounds ;most are the sounds of whistling showing off senses from a psychological dimension, such as , whispering, softness, tenderness, and debacle, evenly allocated at frequent distances, inciting Abu Alwaleed to deep breath, and consecutive breathes, building up of inertwined harmonious phonal clips to a musical rhythm mostly mitigated.

Thus the elements of the research tackle: the implications of the voice of the Arabic S and its prevalence in both the word and in the verse, the correlation between the sound of N and S in the sound clip, the whisper frequency rates in the poem, deletion in external musicality, prominent characteristics in phonal clips of the poem.