جماليات الإيقاع الداخلي في الخطاب الشعري المعاصر : مقاربة هندسية للمعنى و إحصاء المبنى في شعر محمود درويش

Abstract EN

Modern poetry is an innovative reflection of the abilities of the language of sound and semantics, as it is forced to move away from the old frameworks to create a new poetic vision that gives the text the power of continuity and influence.

In order to achieve this qualitative leap in breaking the poetic tradition and overcome it, the contemporary poet resorted to many of the technical phenomena that contributed to the formation of its structure and implications, Among these phenomena we find the internal rhythm as a stylistic value and aesthetic aesthetic image, which gives the poetic text an aesthetic state that the poet employs to confirm a particular idea and to make it the focus of his creative work.

The study focuses on the importance of the aesthetics of the internal rhythm and its architecture in the language of Mahmoud Darwish poetry.

The study is important because it is an applied study of Mahmoud Darwish's poetry in order to reveal the extent of the poet's intention to employ the internal rhythm mechanism and its importance in creative work and achieve its aesthetic and semantic functions.

Key words: Contemporary poem, internal rhythm, meaning engineering, audio structure, metaphorical structure.