الثورة الجزائرية في مخيال المحكي النسوي : ذاكرة الجسد لأحلام مستغانمي أنموذجا

Abstract EN

It is confirmed that history has always been one of the most sacred achievements in the memory of people, and one of the most influencial speeches.

Pain, great sacrifices and fighting against a brutal agreessive enemybesides a strong determination to reach freedom were the basic shared principles in history and the main subject for novelists as well.

So, historical events represent a motive to discuss this form of expression, which is totally different from writing a novel.

Based on the premise that the author has more freedom than the historian, as seen by some critics, the novelist seeks to scrutinize the event of history through diving in the past, showing lessons and saying what has not been said explicitly for the erosion of reality and criticism rather than just glorification or memorization.

If the masculine writing was launched from a sharp criticism of the revolution, as is the case with Tahar Wattar in hid novel « Lazz », how was manifested in feminist writing? And in what way did the artist come to portray it ? These and other problems will be discussed in this paper, seeking to capture the style of writer Ahlam Mostaganemi in her work « Memory in the flesh » in the field of inspiration historical dimension in the text of the novel.

Key words : Algerian revolution, history, novel, event, « Memory in the flesh », Ahlem Mostaghanmi.

It is confirmed that history has always been one of the most sacred achievements in the memory of people, and one of the most influencial speeches.

Pain, great sacrifices and fighting against a brutal agreessive enemybesides a strong determination to reach freedom were the basic shared principles in history and the main subject for novelists as well.

So, historical events represent a motive to discuss this form of expression, which is totally different from writing a novel.

Based on the premise that the author has more freedom than the historian, as seen by some critics, the novelist seeks to scrutinize the event of history through diving in the past, showing lessons and saying what has not been said explicitly for the erosion of reality and criticism rather than just glorification or memorization.

If the masculine writing was launched from a sharp criticism of the revolution, as is the case with Tahar Wattar in hid novel « Lazz », how was manifested in feminist writing? And in what way did the artist come to portray it ? These and other problems will be discussed in this paper, seeking to capture the style of writer Ahlam Mostaganemi in her work « Memory in the flesh » in the field of inspiration historical dimension in the text of the novel.