التعدد اللغوي و حوارية الخطاب في الرواية عند باختين التجليات و الدلالة

Abstract EN

The novel does not know the power of a single language, which is directly and simply translated into the "novelist" but the multilingualism associated with the multiplicity of narrative characters and the clash of views around the world.

In this context, the levels of linguistic pluralism do not appear to be effective and procedural in the language of the novel, unless they are phrased in a conversational manner, ie by conveying the voices of others and reproducing the dominant languages of society.

What is reflected in the style of the novel: When the novel moves the words of narrative characters, or interspersed with expressive species, it enables the novelist to complete the narration of the sound, which concludes the narrative of the monologue narration voice and tone.

So we can go to the diversity of languages and the multiplicity of methods in the novel, does not become a linguistic pluralism - in the sense Alkhakhti - unless someone diagnosed dialogue.