التناص القرآني في رواية سرادق الحلم و الفجيعة لعز الدين جلاوجي-أنموذجا

Abstract EN

Inertextuality is a critical term falls on meaning, connotation and concepts which are closed to each others..

, leads in its general to the phenomenon of the text‘s interaction, interrelation ship and overlapping, this diversity of forming its concepts refers to the numerous and extensive researches about the text‘s concepts, through a set of approaches that were represented by literary trends and different monetary schools.

the critical studies confirm that Inerttextuality is made of the scripts construction components, as it is impossible for the text not to interact with others .thus, the text remains governed by the authority of being opened to the others.

it helps to produce and generate new indication that’s aligned with the context of the crossing experience as well as it enables the writer to briefly transfer us to a society , culture or an entire history through heritage, methodological, literary or quranic textual fragments indications expressed in a single reading text passing by the its other aesthetics that emphasize its presence in the literary text in general including the poetic and the prose .