النظريات المفسرة للخلق الفني
Other Title(s)
Explanatory theories of artistic creation
Author
Source
مجلة الدراسات التاريخية و الاجتماعية
Issue
Vol. 2019, Issue 38 (31 Dec. 2019), pp.326-344, 19 p.
Publisher
Université de Nouakchott Faculté des Lettres et des Sciences Humaines
Publication Date
2019-12-31
Country of Publication
Mauritania
No. of Pages
19
Main Subjects
Abstract EN
Research in beauty has been of particular importance in human conjecture since ancient times, but the aesthetics as the philosopher A.
G.
Baumgarten called it, were not singled out as an independent branch of multiple philosophy, but as a special, self-standing science until the mid-18th century, primarily in a German context.
It is inevitable that there is disagreement between researchers in their perceptions of the aesthetics of things and their connection to nature and man, and that the conflict has widened as far as the balance of judgment is concerned.
In order to obtain the right of the subject in its conceptual and theoretical aspects, we have tried in this investigation to summarize the various trends that were presented to discuss the beauty and nature and weights.
American Psychological Association (APA)
بسنوسي، سيدي محمد الغوثي. 2019. النظريات المفسرة للخلق الفني. مجلة الدراسات التاريخية و الاجتماعية،مج. 2019، ع. 38، ص ص. 326-344.
https://search.emarefa.net/detail/BIM-934788
Modern Language Association (MLA)
بسنوسي، سيدي محمد الغوثي. النظريات المفسرة للخلق الفني. مجلة الدراسات التاريخية و الاجتماعية ع. 38 (2019)، ص ص. 326-344.
https://search.emarefa.net/detail/BIM-934788
American Medical Association (AMA)
بسنوسي، سيدي محمد الغوثي. النظريات المفسرة للخلق الفني. مجلة الدراسات التاريخية و الاجتماعية. 2019. مج. 2019، ع. 38، ص ص. 326-344.
https://search.emarefa.net/detail/BIM-934788
Data Type
Journal Articles
Language
Arabic
Notes
يتضمن هوامش : ص. 341-344
Record ID
BIM-934788