مظاهر الإيكولوجيا في الفن الأوربي القرن 12-19 م

Abstract EN

The research topic (Ecology in Art Europe ages 12-19 ) of four doors was devoted to the first section of the introduction and ended with a number of questions about the problem of research and the purpose of research and importance and the need for mechanical and also dealt with the first two sections on the essence of ecology The second topic dealt with the ecology and historical roots In Art, the second part included the research procedures.

The sample of the research consisted of five models, which were analyzed according to the descriptive analytical method and by adopting the indicators reached by the researcher through the first section.

The most important of which was: 1-The ecological relationship between the artist and the medieval period was characterized by the character of symbolism and the predominance of the metaphorical perception of the representation of the ecological artist's relationship to the environment based on ideas.

The world of sense is the illusion of the artist's self-feelings and temperament, looking to the heavenly cities as an environment of order and virtue as in the sample (1) 2.

The ecological nature of the Renaissance artist was characterized by an adaptive nature that depended on observation, experimentation, accurate recording and the growing sense of the artist in himself and his surroundings.

The environment began to abandon its symbolism in favor of the new worldly ideas as in sample 2, Chapter IV contains the conclusions and the most important: 1 - The ecological character that connects the artist with the environment and the environment is controversial depends on the artist's understanding of the environment and imaginative visions of it and its potential in the exploitation of the environment to achieve the needs of living and spiritual artist in a constant effort to develop an artistic formula aesthetic creative achievement achieved through A balance with the environment with all its plant, animal, human and animal assets.

2 -Ecology in the technical phenomena as an experimental reality shows through the artist 's experience with the environment and his quest to adapt them in line with the artistic and aesthetic solutions that feed on the cultural context or that extend its roots to other civilizations.

Ecology is an effective intellectual structure derived from the same artist to create a balance with its physical environment And cultural issues.

The research ended with recommendations and a list of sources.