الأدب النسوي و التراث العربي

Abstract EN

The research is an attempt to re-read Arab heritage according to and in the light of contemporary cultural patterns, and the many monetary approaches it produced, and of debates about art, culture, religion and society, and the issue of feminism has gained a great deal of space, thus mixing many values and concepts between the heritage and modernity systems And postmodernism, and formed a new system that poses systemic problems in scientific studies, so that ready judgment and pre-certainty are the forefront of scientific works and academic studies, which is based on action and reaction, and the exclusion or neglect of many cultural structures in the Arab heritage, so there have become labels that have taken the place of Muslim women in this research, such as normative, conservative, traditional, and so on, thus narrowing the horizon and falling into the phenomenon of projection with the presence of time and cultural difference between heterogeneous systems, which becomes the imperative of arbitrariness in building knowledge on the basis of prejudices, and the question is What is the reality of systematic studies? How credible is the projection process in contemporary feminist studies? What is the extent of the contribution of Arab women to the traditional liberal discourse? In this research, we try to expose feminist models in the liberal values in a rich and varied heritage system, by presenting models for contributions to art and literature, advanced by Rabia al-Adawiya in the second century AH in the environment of the East, wallada Bint Al-Mustakfi in the fifth century AH in the environment of Andalusia, with a focus on the latter Because we consider it the pinnacle of traditional artistic works within the studied cultural context.