آلية الإيحاء في رسوم بول غوغان

Abstract EN

The present paper is concerned with the mechanisms of evocation in the paintings of Paul Gogan .

It aims to investigate the artistic strategies and norms that Gogan established and on which he based his work .

These invocative effects are of prime importance in deciding the meaning of the work .

These strategies give his work powerful , and influential invocative effect which is of prime importance in deciding the meaning of the work.

The researcher adopted an analytical approach to investigate the mechanisms of invocation in Gogan’s work .

The paper falls into five chapters .

The first chapter puts forth the problem of the research , its significance , the approach followed , and a definition of the concept of invocation , according to modern painting .

The second chapter presents invocation between concept and meaning , the approaches of modern European painting , symbolism as a basic component of this art, and the major sources of the major sources of Gogan’s artistic experience and vision of life .

In the third chapter , three sample works of the painter under study are analyzed in terms of shape and content .

Chapter four sums up the results of the study and a discussion of them .

The most important of them is depend on Suggestion with the totality of the work not dividing it and strategy of fake function to appear what invisible and appear the shape of it across formal abbreviation which make the researcher conclude from that suggestion can't achieve it directly but we can add it or construction it according to the strategy requires understanding what are the items and the role of artist in his matter .and footnotes , appendixes , charts and the abstract in English .