الأبعاد المعرفية و البنائية للصورة الكتابية في الفن المفاهيمي

Abstract EN

The current research is briefed by studying ( cognitive and structural limits for the script picture in the conceptual art) , the research includes four chapters, first chapter concerned about the problem of research that as researching in this field is the result of the cognitive combination and the common intellectual systems so the researcher was stopped by the following inquiry : does the script picture have it's special cognitive and structural limits and how so? the importance of the research is represented by shedding light on working on cognitive and philosophical thoughts that based for post-modernity arts such as orientations are ( insanity, deconstruction, humanism and non-existence ) and its effect on the structural limit of the script picture in the conceptual art, the goals of the research are : 1- knowing the cognitive limit of the script picture in the conceptual art.

2- knowing the structural limit of the conceptual picture in the conceptual art.

limits of the research was specified topically by studying the cognitive and structural limit of the script picture for the conceptual art, by place through Europe and America, by time from 1965 to 1970, then specified terms and procedural definition.

second chapter included the theoretical frame and included two sections: first one is the cognitive limit of the structural picture in the conceptual art through : 1- cognitive modifications of the post-modernity art .

2- cognitive modifications in the conceptual art.

second section was about the structural limits of the script picture in the conceptual art, second chapter was ended with most important indications that rose from the theoretical frame, while third chapter included procedures of the research.

the community of the research consists from artistic works of the post-modernity art (conceptual art) and what pertains the language art particularly , total works of population are (25) artistic work and choosing the research's sample intentionally were (5) samples, the researcher relied on indications of the theoretical frame which consisted from two pivots cognitive and structural during creating the analyzing form, she used coper equation to determine the credibility of the tool which was (87%), fourth chapter included the conclusions , most important ones are : 1- the art with language and picture become a space for a reasonable and criticizing meditation and moved to ideological analyzing according to its written language then the artistic work will move to a cultural philosophical and linguistic therefor the cognitive and structural side get far away from the job of the shape because the art transferred from the shape to the language as shown in all samples of the research.

2- with the conceptual art so the artistic work is an intellectual process that the artist starts from a real things inside a real space to go with his concept to farther than what the picture means, the readable script language and the depicted thing reflects the image of the intellect itself, so there is no existence for the artistic work without viewer as we have seen in all samples of the research.

3- expression of the guide through the correlation i.e.

(using another phrases have the same guide as in the sample no.

(1,2,3 ,4).