طبيعة الصراع في نصوص مسرح اللامعقول يوجين يونسكو أنموذجا

Abstract EN

The writer of drama of the absurd living in a state of rebellion and tampering with a state of the minds inability to absorb the surrounding of the non- truth and illogic of flirting and Agdv life of meaninglessness and the inevitable result of the second world war prodced .Nature of the conflict in the drama of the absurd is subject to what brought him the classic drama Aristot elian rules of description of the conflict as afinger bouncing up ward gradual and description of the other , but rather represented in most of the texts of the plays UNESCO to be closed starts from point and ends at the same point a struggle not logical to Am acola not complements related to the events of Foreign because of the spiritual emptiness of human existence people suffering state of turmoil, anxiety and lack of spiritual Alastaqraralnevsa suffering from isolation for not being able to communicate with others .Texts came a km from multiple ideas displace the other one to adopt toeadss new theme through the language that came a cackle meaningless ideas scattered non contiguous sense loosely constructive dialogue Nothingness of time nor the clarity of the place makes the recipient in a state of surprise and puzzlement , because of the disorder behavioral system of the individual and the society in which the individual to mere machine.

Gelatinous figures do not name her stolen will is always in a state of loss, fear , tampering , despair and escape the chaos and emptiness about the banality of life and Abuthaitha and flirting presence and disclosure contained fan the heman soul, the characters are not trying to find her for participants to talk any she introvcrted and ineffective.