جمالية الصيرورة في الزخرفة الإسلامية : العتبة الحسينية أنموذجا

Abstract EN

The research includes four chapters included the first chapter on the research problem and the importance and need for.

and the aim of the research and its borders and determine the terms contained therein, have been identified following research problem by asking: -Is how the show Continuance in the Islamic decoration? To achieve the aim of the research, the researcher select the study to include vegetable and mixed motifs that adom the thatched saucer-Husseini al-Sharif in the holy city of Karbala, has addressed a researcher at the theoretical framework in the second quarter two sections consisted (The first topic - approaches philosophical concept Continuance-The second topic - aesthetic foundations of the Islamic Decoration ) The third chapter included research procedures, reaching the research community (TV) frilly model, reached the research sample (°) decorative models.

It gave the fourth quarter results and conclusions, as well as the recommendations and proposals, and the most important findings of the researcher are: (popped happening inside decorative text through the transmission format decorative geometric and vegetation from one place to another in consecutive sequential image captures the meanings of continuity and communication that do not know stop limits .

also appeared in the model (r- i>-i) for decorative geometric forms, and all the research sample decorative forms of vegetation models).

The most important findings of the researcher are: (The Islamic decoration Characterized by becoming infinitely manifested through the formality decorative units which move actively after recurrence, which demonstrates the continuity of communication and flow toward infinity).