المخيال الاجتماعي و تمثلاته في مهارات التمثيل المسرحي

Abstract EN

The concept of social imagination after being defined by sociologists and thinkers concerned with the concept, from the knowledge that controls the behavior of the individual and society and leaves its impact in its artistic and creative representations, especially literature and the arts, and extends the origins of the study of imagination to the first beginnings of philosophy with Eflatoon and Aristo through the research of Talents The self, as it was called the word of imagination as a machine linked to both visual and sensory perception, and imagination concept is actually in fact only in terms of its impact on people, Individuals in any society are influenced by the dynamics and components of social, symbolic, historical, religious, and mythical social imagination.

A series of research has shown that imagination affects or disrupts the mechanics of thinking and drives the individual to take positions and actions that are not based on rational reasoning at some times.

A fantasy hero may prefer to go to an unknown country to achieve a dream or turn into a bird to get nd of an enemy or may return to life after his death in cause to hidden power.

And cause that this concept is strongly related to the mechanisms that represent an important means of achieving theatrical actor of the skill in performing his role on stage through the concepts of imagination and emotional memory has been a rich material for many performances in the shows, Iraqi plays.

Therefore, the problem of research was to explore this concept in social studies and to search for its approach or effects that were examined by the specialists of theater and drama.

The researcher began to show the problem of research and the need for it within the first chapter, which also explained the purpose of the research and the importance of research and to identify the terms contained in the title of the research is very important in identifying the paths of knowledge of the researcher, which led to the identification and the development of procedural definitions for each term.

And The second chapter deals with the first two topics in which the researcher discussed the concept of social imagination as social experience and an inevitable conseguence of the social environment.

The second topic dealt with social representations in theatrical actor's skills as a group of sensual impressions and representations represented in the actor's mind, At the end of the second chapter, the researcher reached a set of indicators that included a many of ideas in the theoretical framework for the purpose of investing in the analysis of the sample of the elected research in the research procedures in the third chapter.And In the third chapter, the researcher selected a sample for his research (Representations of social imagination in the performance of the representative artist Fadel Khalil in the play 'The Palm and the Neighbors").

The sample of the research was analyzed with the concept of the research as discussed in the theoretical research chapters.

The results of the research and finally the list of sources adopted by the researcher in his research.