جدل الجمال و الدين و أبعادهما الفنية و الفلسفية

Abstract EN

That human thought compose a continuum keep track of one another and all the naive idea began to take a simple growth and complicated to become larger and wider, and therefore we can not understand the ideas upon which any civilization unless Rddnaha to assets that emit.

In the search dialectical will be able to recruit potential analytical and interpretive offered by the us this concept we can do and the way reasoning to Almbuh meanings that fall behind the general Almtnaqzh manifestations of the phenomena Alabstimologih and ways they interact and overlap and Thaorha Despite the apparent contradictory construction, we are returning to the dialectical construction, the product of dialogue knowledge of the newr forms will be able to get into the manifold meanings and accumulated in human thought through the eras of history to crystallize these concerns within the specialized fields and put them within the premises proper scientific research to benefit the mental and cognitive experimental sensory level through placed controversy.And searching the dogmatic religious thought area and Tmthelath metaphysical and try to link the physical frameworks sensory require us to dive into the reservoir and the priorities of this thought and try to pick up both sides of the debate to formulate a productive dialogue leadmg to crystallize new meanings interpret data dialogue between what is physical sensory and what is spiritual and Ojaddana outside the framework of Malisusat, and placed link between the aesthetic manifestations and Taalqatha religious and ideological diverge in its premises and areas of impact, functioning universe Search placed beauty Ataathdd within the framework of one or the course of cognitive constraints are of dimensions can communicate between the various conflicting parties (physical, spiritual / visual, invisible / visible, subcontractors / relative, absolute ....), and we will open in our research this dialectic of constructive dialogue between the parties to the beauty and religion door to see data that Aspegha concept of beauty and Tmthelath in nature and art on the philosophical dogmatic of the Islamic religion and way of Unking thought espoused by Muslim artist in the decorative his works to reconcile between the two (Beauty and religion) It is already the subject of his research scholar divides into four chapters: Annexation of the first chapter (methodological framework) to highlight the problem of the research, which were represented to wonder about the nature of the technical wizards as dialectical, which came to Muslim artist documented his priorities within the ideological aspect of the definition of aesthetic rooted in philosophical thought dogmatic.