النسق المغاير و تفحيل الأنثوي : قراءة في "عربة اليقطين"

Abstract EN

The modern critical theories sought to explain the marginalized and the neglected.

Therefore, humor and women's literature came to prminence after a long period of exclusion in the history of world culture.

Cultural criticism is one of the modern concepts in the Arab world that was supported and opposed by critics and intellectuals.

Cultural criticism examines the non-linguistic dimensions of the text, which are included in its aesthetic language.

Studies called for examination of the aesthetic to show the flaws left behind using that flamboyant language, which preferred to exclude intellectual issues from cultural dialogues.

Cultural criticism is an integral construction based on the legacy of the previous theories, such as structuralism and deconstruction, and others, to do the work of the microscope in determining the social ills in what the aesthetic discourse carries behind its aesthetic language.

This theory extended to include cultural discourse instead of literary text.

This criticism is a kind of globalizing criticism and critic.

This study attempts to answer many of the questions posed by cultural criticism through presentation of the origins and evolution of the theory, procedures of cultural analysis, and advantages and disadvantages of Al-Ghazami's cultural project.

The study offers a practical study of Shaimaa Zayed's ʿArabāt Al-Yaqtin (Pumpkin Cart) in which the writer tries to motivate women to have a special entity in a patriarchal society, using a language rich in symbols.