تفلسف الكاميرا في فيلم هملت ل براناه كنيث (Branagh Kenneth)‎ : مقاربة سيميو-وجودية

Abstract EN

There he is! Branagh Kenneth; the Irish film-maker, who was bold enough, like his ancestors, to recall the play of Hamlet through the cinema in 1996, so that, the fact which is recalled was a piece of theatre then the fact which recalls was a cinematographic work.

Actually, the theatrical text of Hamlet is full of philosophical, existentialist contents in particular.

But the problematic here on what we seek focusing our analysis is limited to the cinematographic way by what Kenneth tried to actualize that Shakespearian cognitive with a straight philosophical tendency.