الدلالات الفلسفية للموسيقى التصويرية و علاقتها بنقد الخطاب الفيلمي

Abstract EN

This article seeks to highlight the most important points that explain the philosophical issues of the soundtrack in its critical context of the film, On the other hand, he wants to explain a pragmatic philosophy that helps the artistic criticism in the construction of the text of the writing in the case of reading the musical scene of a particular film, and in terms of philosophical thinking, which is based on a scientific structure serving the field of art "film industry" and the science of art "Sinatmatology, musicology "and other self-vision leaving in the characters of writing a personal impression that contributes only to the formation of public opinion, which is covered by the specialized technical press, In the same context, he also wants to highlight the similarities and differences between the philosophy of academic work and impressionism, and criticism of the press for the film discourse in general and for the musical discourse in particular.